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Girija Ke Sapne

 
     

Original Kannada play by B Suresh

 
           
      Design & Directed by M S Sathyu  
      Hindi Adaptation Shailaja  
      Music Kuldip Singh  
      Choreography Rashmi Sharma  
   

A musical satire in Hindi

  Additional Lyrics Nishu  
             
   

Girija Ke Sapne is a musical satire, at times hilariously funny and at times ridiculous, with shades of pathos. It makes use of television and advertising lingo as a theatrical device including the now popular trend of Hinglish. The protagonist Girija, is the only educated girl in her village - '10th class fail'. She dreams of the kind of life-style she has seen in the touring talkies. Her small town aspirations based on her exposure to films and advertising are personified in the character of her 'hero'. She is so enamoured of her 'hero' that the dialogues he delivers in his films are the only truth she believes in. The make-believe world of her dreams is her reality, which is completely at odds with her family and her village. The clash between her dreams and reality is the essence of the play. The choir is a central part of the play representing different characters. Though the story is set in a village in north Karnataka, the production uses music in a stylised manner and not in a dialect or a particular folk form specific to any part of the country.

The play is a comment on the influence of globalisation and the now ever-popular trend of bank loans that has swept through rural and urban India. The common man is victimised by the system and ends up paying back the loans with his life because he has no way out. Farmers in India are being trapped by the vision of quick money and 'modern' farming. They are being made to give up their traditional eco-friendly methods and adopt new methods which require more water, more pesticides, growth controllers, fertilisers, etc. And if this was not enough, they are forced to use non-renewable seeds. These new methods have totally changed the agriculture patterns in India. At the end of it the maximum benefits go to the MNCs and big farmers and corporations in India. The farmer continues to be the lowest common denominator….and very often not even that, because he has been wiped out by the system.

The need of the hour is a more people-friendly, farmer-friendly system - ecological agriculture based on biodiversity for economic and food security. Food and agriculture must become more socially and ecologically sustainable, more accessible, and food quality, food safety and public health must be put above corporate profits.

Girija Ke Sapne premiered at the Prithvi Theatre Mumbai Musicals festival at Mumbai in 2007 and has also been performed at the Rashtriya Natya Mahotsav at Lucknow in 2008. Recently it was staged at the Qadir Ali Baig Theatre festival at Hyderabad in Oct 2008.

Upcoming shows are scheduled at Bangalore in Nov 2008 and at the Bharat Rang Mahotsav at NSD New Delhi in 2009.


 
             
   
 
 
 
             
   

Cast & Credits:

Girija         Mithila Lad

Raju         Karan Shuklaa / Ronak Kitta

 News reader         Neeraj Pandey

 Tai         Manju Sharma

Girija ka pita         Vikas Yadav

Mausi         Almas Potrik / Nupur Srivastav

Meera         Vinati Makijany

Mahila ek         Minty Singh

Mahila do         Geetanjali Gill

Mahila teen         Hetal Varia

Mahila char         Vinati Makijany

 Bada bhai         Dhanraj Pawar

Chhota bhai         Irshaad Siddiqui

Panditji         Manuj Kushwaha

Kisan         Rohit Chowdhary

Jatayu         Vighnesh Sinkar

Garud         Nishu Sharma

Gayak         Sharvari Deshpande, Sancharee Saha, Anagh Banerjee

Musicians         Surendra Kumar, Ravinder Kumar

Lights operation         Manjari Makijany

Costumes         Vinati Makijany

Properties         Neeraj Pandey

Set Construction         Mahesh Nachankar

Production Design         M S Sathyu

Production Coordinator         Shaili Sathyu

 
             
   
   
 
 
             
       

Duration: 1 hr 45 min

 
               
   
   
   
   
   
   
   
   
   
               
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